40th International Computer Music Conference joint with the 11th Sound and Music Computing Conference
|14 Sep 2014 through 20 Sep 2014|
|15 Apr 2014|
|Arts & Humanities > Music|
The main theme of the Conference is “Music Technology meets Philosophy: From Digital Echos to Virtual Ethos”. We invite researchers in music and sound computing, composers, musicologists and philosophers for a fruitful dialogue on related topics in order to redefine the past, present and future of computer music and sound computing.
The ICMC|SMC|2014 joint Conference will include lectures, special sessions, demonstrations, indoors & outdoors concerts, installations and workshops as well as a summer school, given in various places ranging from concert halls and university auditoria to museum lobbies and archaeological sites.
The ICMC|SMC|2014 invite submission for:
· papers and posters involving aesthetic, compositional, educational, musicological, scientific, and technological aspects of sound and music computing as well as digital audio,
· music works that will be performed in the frame of the Conference,
· studio reports, demonstrations and workshops.
Aesthetics in Computer and interactive music, Ethics of music Artificial intelligence, Algorithmic Composition, Analysis-Synthesis, Artificial Intelligence and Music, Auditory display and data sonification, Automatic music generation-accompaniment systems, Automatic separation, recognition, classification of sound and music, Composition Systems-Techniques, Computational musicology, Computational archeomusicology, Computational Ethnomusicology, Computer-based analysis and synthesis of synchronized music and dancing, Computer music and persons with disabilities, Computer environments for sound-music processing, Computer Systems in Music Education, Content processing of music audio signals, Digital audio effects, Expressive, emotional interfaces, Gestures, motion and music, History of Electro-acoustic Music, Humanities in sound and music computing, Interaction and Improvisation, Interactive performance systems, Interfaces for sound and music, Languages for Computer Music, Live Coding, Methodological issues in sound and music computing, Mobile Music Computing, Models for sound analysis and synthesis, Multimodality in sound and music computing, Music and robotics, Music Information Retrieval, Music and architecture modeling, Musicotherapy systems, Networked Music Performance, New Interfaces for Musical Expression, Perception and cognition of sound and music, Physical modeling of Musical Instruments, Representation and Models for Computer Music, Sensors, actuators, haptic and force feedback devices, Singing Voice digital analysis-synthesis, Social interaction in sound and music computing, Software and Hardware Systems, Sonic interaction design, Sound, Music human-computer interaction, Sound and music for VR and games, Sound-music and the neurosciences, Sound-music signal processing Algorithms, Spatial sound and Spatialisation Techniques, Technologies for the preservation, access and modeling of musical heritage, Theory and Philosophy on Polytopes
ICMC|SMC|2014 will include a summer school in Computational Music Analysis.
22 October 2014
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